The process turned out alright and the gears worked great, but later on I learned some useful tricks. You can use the code CINE at check out for a nifty discount! Theyre much cheaper than modern lenses, yet share similar designs and performance. Also almost twice as big and heavy as the previous one. Contax Zeiss should be on your radar for a couple of reasons. On the 918 I keep the main six lenses of the set plus variable NDs and other filters. Building this set was a great experience throughout. As stated repeatedly, like ZF/ZEs, Contax lenses have great cinema mechanics. Heavy, but sharp. The Carl Zeiss Distagon 2.8/28 T* enjoys a very good reputation and it is a bit more expensive at around 250. That would be asking a lot of these budget lenses. You have to keep wiggling them slowly, side by side, until they are in place. When the AE's flare, they generally flare white, evenly, and when overwhelmed by a direct source, can reveal a touch of green ghosting. Tito Ferradans spent the last six years researching, writing and making videos about the anamorphic format and how to achieve it without breaking the bank on low-budget productions. Sonnar originally meant "Sunny", because historically these used to be the bright, fast designs when they first came out. It's taken me a few years to build this set, and I absolutely love the look I get from them The 21mm is still regarded as one of the best wide angle lenses you can buy, hence why it is one of . First I measured the slip-on caps I got from SIMMOD and created a Photoshop template with that size. They are much more closer to a Super/Standard speed look then the modern zeiss glass including the Cp2s. For that reason I had to make a super tall focus gear that would not slip off when travelling from infinity to minimum focus. Wake the fuck up. 1. AE lenses also show ninja-star bokeh when stopped down, which is a major turnoff for some folks. This wraps the first step in building a set of lenses: getting the glass. This turns the original C/Y mount into a solid EF mount that wont budge for nothing. I own (or have owned) an AE 25 2.8, 28 f2, 28 2.8, 35 1.4, 45 2.8, 50 1.4, 50 1.7, 60 2.8, 85 1.4, 85 2.8, 135 f2, 135 2.8, and 200 3.5and ALL OF THEM have the Ninja-Star. If you're reeeaaaally on a budget and don't mind a very low contrast look, Zeiss Jena's are a guilty pleasure of mine. There is a lot of good information about which lenses were improved optically between the earlier AE and later MM versions, as well as lots of user comments. But it's a lens meant for stills and cheap as hell compared to cine glass. The fastest "wide" is the 28 f2. Contax RTS glass can easily be adapted to EOS. Thats NOT to say all the designs are the same. As mentioned before, the 50mm F1.7 is no slouch and it sure isn't! One last note on their generations, MMs were mostly made in Japan, so theyre called MMJs, while AEs were made in Germany and named AEGs. Leitax mount on the left, original Contax/Yashica mount on the right. As they were designed for photography, they have clicked stops, which has to be dealt with, but they all feature non-rotating front elements, which is a very valuable feature these days with vari NDs. Because Contax is actually one of the most storied names in photography. Slowly I fell in love with them. Check out his own blog here and Patreon here. I returned to the guide and started eBay hunting. All I ever had so far was a Canon backpack and that is not a safe way to transport this grade of gear everywhere. See the photo below! Be patient, use heat and sandpaper, and youll get there. That meant getting a few more lenses and upgrading various aspects I had neglected so far. Really. It offers the advantage of one of the most sophisticated fully automatic through-the-lens exposure control available during the late seventies. . Distagon, Planar, Sonnar, Tessar, Biogon and Hologon. The AE's are no longer serviced by Zeiss, keep that in mind. I'm only saying that because the guys on the photography forums use these charts to compare numbers with other lenses they all refer to that page as the 'source'. These lenses thread the fine line between organic and sharp, a line as thin as depth of field on an 85/1.2 wide open, only second to Leica. So not everything has gotten better over time. Nothing is free. Things can still look beautiful, but Zeisss philosophy is not to make things pretty, but to be true. Thats where my obsession started. So Contax = Western Zeiss. @Yean: I'm 99 % sure it's the adapter then. The 60/2.8 AE can do 1:1 magnification, while the MM can only reach 1:2. Its agreed that MM lenses perform better and have cleaner results than AE lenses, theyre also less prone to flaring. 06-22-2022, 04:47 PM Hey, everybody, I know we have the awesome Contax Zeiss Survival Guide but looking at building a set of Zeiss lenses myself from bargain finds and fixer uppers I've collected, I wondered what anybody's experiences might have been with mixing Zeiss lineups together? I started using these lenses casually. After I read stellar reviews about the 28mm f/2.0 Hollywood, I went looking for one. to use on my Komodo. You can spot an MM if the last number on your aperture ring is. The Contax I was Zeiss' answer to Leica's offerings in the 35mm market, one . I am thinking of selling the lenses we tested together. Heres the full line of glass. It was intended to be a cheaper alternative. Because they focus the right way (ZFs do not, they are Nikon-oriented and focus backwards) and have an aperture ring (ZEs dont have one, as they are EOS-designed and have a digital iris controlled by the camera). A) They are FULL FRAME and will cover Dragon, and it would seam, even VISTA VISION WEAPON. You can tell them apart because MM have their last aperture number painted green, and they have a small tab on the mount that doesnt exist on AEs. It had five lenses: 28/2.8, 35/2.8, 50/1.4, 85/1.4 and 135/2.8. Its also quite similar to the modern 15/2.8 ZF/ZE offered by Zeiss, just a 2/3 stops slower. This is an endeavor Ive been working on and off for the last two years and now I can see the finish line. This is a guide for people that love handling gear and tweaking little things here and there. Im a fan of DIY, so I decided to install the mounts by myself. D) They are very easy to adapt to EOS mount. For a while I didnt understand the need for 80mm fronts, so Ill share what I learned so others wont live too long unknowing like me! DPReview TV: Nikon 58mm F0.95 Noct Review! Lastly, just for curiositys sake, Carl Zeiss has a specific nomenclature for his lens designs and you can see some of them written on the ID ring of these Contax Zeiss lenses. Shervin, thank you so much for posting those R3ds. Great help. Germany vs Japan? Zeiss made the jump to MM's in order to enable camera control of the aperture. cinema5D GmbH, Kranzgasse 22/9-10, A-1150 Vienna, Austria. Contax Zeiss Survival Guide. As a reference, my main set of lenses at this time was a Soviet kit that I put together because of their imperfections and organic look. And needed a new line of lenses for 35mm still photography. They cover full frame, are super easy to adapt to many other mounts and never lose their value. The 'Contax craze' is 15 years old and dates back to the introduction of the Canon 5D which was the first affordable full frame sensor. Copyright 2023 Vintage Lenses For Video. The stills guys LOVE IT. Leica Rs are much prettier. This page was generated at 05:50 PM. Thats when I learned of Leitax and their mount replacements. I then redesigned and printed new focus gears for these and ordered more Leitax mounts and that was good for another five months. Ron also offers the full mod service for great prices, including focus gears and lens mounts. They dont have it. These lenses thread the fine line between organic and sharp, a line as thin as depth of field on an 85/1.2 wide open, only second to Leica. It was the most expensive lens in the set and it shares a lot of the beautiful look of the 28/2 Hollywood. One thing that the push-pull nature of the zooms helps with, is snap-zooms. How can i get those lenses from you? Family moments are precious and sometimes you want to capture that time spent with loved ones or friends in better quality than your phone can manage. These capable cameras should be solid and well-built, have both speed and focus for capturing fast action and offer professional-level image quality. Still on the DIY train, a friend and I had just bought a 3d-printer, so I started making my own focus gears. It's more like the image jumps! Whereas Contax is an F4 at 18mm, and 2.8 at 25mm. However, I wont argue that having a lens that says Made In West Germany is wicked cool. check out the. Each page with eight stickers costed me about $10. This is a guide for people that love handling gear and tweaking little things here and there. To fix that I took the stickers off, added a thin layer of glue, put the stickers back in place and let it all dry overnight. They have more saturated colors, deeper blacks. That meant getting a few more lenses and upgrading various aspects I had neglected so far. Thats when I learned of Leitax and their mount replacements. Could it be that yours was bumped once in it's lifetime, if it's not the adapter? C) They have the older Zeiss T* coating that we also find on Hasselblads, Super Speeds and Standardsand as such have a more organic rendering on digital than ZF/ZE/CP2s. The Standards were w/out a doubt the sharpest wide open. Would I be crazy to say I kinda prefer my 85mm f2.8 to my 85mm f1.4. . Filter. Wide open, Contax glass seems as mushy as Supers. I returned to the guide and started eBay hunting. Yes, it's one step slower than the its siblings, but it definitely crushes them with razor sharp focus and a beautiful transition into bokeh. At T2 they beat out Supers and Contaxes. :) Thanks buddy. On almost all shoots weve done with Contax lenses, where we have used other glass, be it Leica Rs or Canon EOS, every time the DP has noticed that the waveforms jump. If you wanna follow this path, theres no way to dodge reading the Survival Guide. The last decision I had to make was between the 18mm f/4 and the 15mm f/3.5. 18mm is way too close to 21mm, plus lots of reviews mention its not-impressive performance. It looked neat, but from my experiences as 2nd Assistant Camera, I was constantly being asked how fast so-and-so lens was, or whats its minimum focus. Standard lens, cant really make a set without a 35mm in it, right? You NEVER SEE it wide open, because the blades arent engaged. (I read the Contax Survival Guide, thank you Nick . These I ordered from MOO, because they offered me more variety at a much lower price. I always took the 135 with me and some of my favorite photos come from that time. Contax Zeiss Survival Guide. Its not. Now Im gonna move into streamlining it for shooting and making it the best possible lenses to handle on set. My C/Y Zeiss lenses have been a WAY better investment than money in the bank (or the stock market). In my previous buyers guide Ive shown you how to build a Zeiss Jena Mini-Cine set for $1000, but if you have a bit more money to spend then ContaxZeiss is the way togo! Im from Bangladesh. Its regarded as one of the best 21mm ever made, and to this day they still use the same formula for the 21mm f/2.8 ZF/ZE primes. 77mm front. Almost six months after I wrote this guide, I decided to update it with a quick survey of what lenses to consider - a general overview of the Contax lineup, if you will. They are made in Spain, cost about 60 euros each and you install them on the back of the lenses using the provided screws. So I sand the inside down a bit and try again. Theyre killer tools for video, but in order to achieve maximum performance, theres a number of steps and procedures to tackle. You can either build a $1500 set or a $10000 set and youll always impress with the results. I thought I knew a bit but I just learned so much! Theyre fully manual focus and aperture -, have solid metal construction, long focus throw, and a great feel overall. So this reasoning is pretty bullet proof. It's a weird, over-the-top kind of effect, but when you need it (as I did a few weeks ago) it's actually pretty helpful. Both look awesome, and I think people are splitting hairs. Copyright 2007-2022. These are way more common in AE, but I was lucky enough to find a MM coming straight from Japan. Above $2500 cameras tend to become increasingly specialized, making it difficult to select a 'best' option. I reached out to David at Hardcases.ca and got both a Nanuk 918 with padded dividers and a Nanuk 904 with foam to fit these babies. By giving you that extra latitude in the blacks and highlights, they were letting photographers dial in how much black and contrast they wanted later in the dark roomwhen they were printing. Yupthey go as far 500mm. You can either build a $1500 set or a $10000 set and youll always impress with the results. Here are some things I got from it: Contax Zeiss lenses were designed for 35mm full frame, which means theyll cover all the way up to Vistavision sensors on modern cameras and anything smaller. Learned a ton. In mint condition, comes with lens hood. The first one is AE and the second one is MM. This one was only made in Japan and it doesnt exist in AE, just MM. I was not impressed, so I decided to make my own. But then work started picking up and I saw that as the perfect opportunity to upgrade. I got all my standard 80mm fronts from him, as well as slip-on lens caps. It is smoother one direction than it is the other too which is peculiuar. These have even less elements (5?). For further details, see our Privacy Policy. Mirrorless Camera of the Year 2022 & Other Camera Candidates, Adobe Firefly for Video Announced Bringing Generative AI to Creative Cloud, CineD NAB 2023 Best of Show Awards go to DJI, frame.io, FUJIFILM, LumenArc and ZHIYUN, CineD at NAB 2023 - Visit our Booth, Win Prizes. I'm not that far from NYC, and head down every so often. These babies were bleeding me dry. Heres a very interesting article that summarizes tech papers published on these designs and their differences, pros and cons. The Soviets were good enough for my own projects, but I needed something more reliable on this one. http://slrlensreview.com/web/reviewszontalmenu-172, http://web.archive.org/web/200710120rode/TestZ.htm, If this is your first visit, be sure to The data provided and the newsletter opening statistics will be stored on a personal data basis until you unsubscribe. Also the low-con coating does give you more latitude. Sony Information & communications technology Technology . I already talked about the mount replacements and focus gears, so Im left with standard fronts and de-clicking. 250 g approx.
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